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The figurative work would begin with loose gestural marks in black paint on the white canvas. The marks would suggest figures, interactions, objects. The images were derived from my response to the marks, as subconscious associations. When two figures are involved, one figure usually represents my subconscious, or my intuitive side, and the other is me. "One Summer Day," "The Letter," "Night Games," and "She Holds the Secrets," were painted during my experience with breast cancer-- getting the news, and the disruption to my inner life that occurred.
The figurative work would begin with loose gestural marks in black paint on the white canvas. The marks would suggest figures, interactions, objects. The images were derived from my response to the marks, as subconscious associations. When two figures are involved, one figure usually represents my subconscious, or my intuitive side, and the other is me. "One Summer Day," "The Letter," "Night Games," and "She Holds the Secrets," were painted during my experience with breast cancer-- getting the news, and the disruption to my inner life that occurred.
She Holds the Secrets 1993
Oil on canvas. 56" x 46". Private collection.
The Letter 1993
Oil on canvas. 56" x 42"
One Summer Day 1993
Oil on canvas. 56" x 42"
Night Games 1993
Oil, oilstick on canvas. 56" x 42"
The Storm 1991
Oil, oilstick on paper. 42" x 43". Private collection.
Zig Zag 1991
Oil on canvas. 56" x 46"
MIrror Mirror 1991
Oil on canvas. 56" x 46"
Songs of a Celtic Harp 1990
Oil on paper. 50" x 42 1/2". Collection Mary and Leigh Block Museum of Art.
Diver and Chalice 1990
Oil on paper. 46 1/4" x 38". Private Collection.
The Painter 1990
Oil on paper, mounted on panel. 42 1/4" x 31 1/4".
Sunken Treasure II 1990
Oil on paper, mounted on panel. 42 1/2" x 43"
Loss and Remembrance III 1998
Oil, wood on canvas. 56" x 46"
A Moment of Silence 1989
Oil on linen. 47" x 36". Private Collection.
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